Think about Cinema


Cinema d’Essai

COMUNICATO STAMPA

Roma, 16 maggio 2022
RILANCIARE IL CINEMA D’AUTORE E D’ESSAI
La nota stampa della Federazione Italiana Cinema d’Essai


TITOLO

Also due to measures that have dramatically increased the production of “audiovisual works” e practically canceled the windows between the exit to the room and the subsequent television broadcasts.
For this it is necessary that as soon as possible, as requested also by important exponents of the distribution and parliamentary representatives, an appropriate interval is introduced between the exit to cinema and that of platforms of at least 180 days, just as we need to think of a plan extraordinary three-year period that aims to win back the public.
Also giving a right following the words spoken by President Mattarella on the occasion of the David di Donatello, to safeguard the social, aggregative and cultural role of the rooms

At the moment when the Cannes Film Festival is about to start, it is once again the great showcase of European and world auteur cinema, the Italian Federation of Essay Cinemas (FICE) invites us to ask ourselves about the state of difficulty that continues to grip the cinema of our country, in particular due to the non-return to the theater of a large portion of the public who had attended cinemas before the pandemic.
After more than two years, and after the restrictive measures adopted by the government which they included even long periods of closure and which have no comparison with the rest of the European countries, has arrived the time to reverse the trend with respect to a trend that can and must be stopped, under penalty of endangering the heritage of Italian cinemas. Heritage fortunately still made up of hundreds and hundreds of theaters that are committed to programming cinemas by author and art house, and which today are those most in difficulty, also due to lack of films capable of intercepting an audience tired of repetitive works, perhaps think more for a television audience and for the cinema audience.

This is also due to measures that have dramatically increased the production of “audiovisual works” e practically canceled the windows between the exit to the room and the subsequent television shows. For this it is necessary that as soon as possible, as requested also by important exponents of the distribution and parliamentary representatives, an appropriate interval is introduced between the exit to cinema and that of platforms of at least 180 days, just as we need to think of a plan extraordinary three-year period that aims to win back the public. Also giving a right following the words spoken by President Mattarella on the occasion of the David di Donatello, to safeguard the social, aggregative and cultural role of the cinemas.
Only a great process that sees the Ministry of Culture rethink the investments intended to the cinema, by really putting the function of the cinema back at the center, it can give back impetus to a production that is too flattened on audiovisual works of little interest for the cinema audience. It is necessary to do it now, also taking advantage of the Cannes showcase, where they will be present some of our most important authors, starting with Martone and Bellocchio.
“The FICE – declares the President Domenico Dinoia -, together with all the associated rooms, will do all to continue giving visibility to independent and arthouse cinema as required by the cinema law, to promote film culture and guarantee a pluralism of offer that make room for all cinemas, starting with young Italian talents “.


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